By Joe Hammerschmidt For those still in need of a heartfelt humanist comedy this summer season, one needn’t look further than Judd Apatow and his large list of contacts, one which only grows after each new project.
By Joe Hammerschmidt This almost never happens, but as the credits rolled for the latest Edgar Wright masterpiece “Baby Driver”, I found myself needing to catch my breath. In the moment, I realized just how exhilarating a
By Joe Hammerschmidt A rather lesser-known partnership in Hollywood has made waves, that between a young director just starting to find his way, and a screen vet with years of experience and an instantly recognizable voice to
Check out the most recent song additions from the KGRG-FM Music Department! If there’s new music YOU want to hear on KGRG, shoot an E-Mail to Programming@KGRG.com or Music@KGRG.com Broadside – Puzzle Pieces Lust Punch – 27 Roses Falling In Reverse – The
By Joe Hammerschmidt With any film, there comes a basic description. Most of the time, I tend to forego the warnings said descriptions will often warrant, and only once in a blue moon will I have said
By Joe Hammerschmidt In the present age of studio comedies, especially when the summer season often strives to deliver its share of surpreme turkeys (“Baywatch” falling somewhere in the middle), we’ll often wind up with a film
By Joe Hammerschmidt When it comes to period dramas, I can’t ever bring myself to care about them. Nearly 100% of the time, they run too long and they rarely make any sense. What writer-director Roger Mitchell
By Joe Hammerschmidt I was never a considered fan of the somewhat culturally significant, yet still indelibly cheesy 90s TV byproduct “Baywatch”, yet I’ve seen enough episodes in recent months (let’s say one or two) to know
By Joe Hammerschmidt “Alien: Covenant”, the latest entry in the storied career of one Ridley Scott, delivers on reconstructing the legendary franchise so unexpectedly you’ll wonder whether you’re watching the original all over again. And in
By Joe Hammerschmidt It’s an apparent cinematic law that for every two or three major potential blockbusters to hit screens during the summer season, studios must churn out a low to mid-budget piece of fluff worthy of
